Chromatic aberration sounds difficult, but it is really very easy. It is seen in photos as magenta and blue-green fringes produced by the lenses. Chromatic aberration can be created in two ways: 1. The individual colors do not focus on the same sensor plane. 2. The different colors produce images of different size. Here we will take an in-depth look at what chromatic aberration is and how to avoid or solve it.
The first thing to grasp is refractive index, so let us briefly explain what that is. When light passes through a medium, for example the glass of the lenses, the angle of the light changes. Light hits the lens at 90 degrees, but leaves the lens at 80 degrees (just an example). Unfortunately different wavelengths of light have different refractive indexes. For example blue could leave the lens at 79 degrees while red might leave at 81 degrees. This difference will create thin magenta fringes known as longitudinal chromatic aberration. The sensor focuses on the green channel and chromatic aberration causes the blue and red to be slightly out of focus, which creates the combined magenta fringes.
When light does not hit the lens at 90 degrees, but from an oblique angle, you begin to get transverse chromatic aberration.. In this case the different colors focus evenly, but not at the same point. This causes the red image to be larger than the green and blue, and the blue the smallest of them all.This also creates colored fringes, but now both a magenta and a blue-green one. It is in the interest of lens manufacturers to avoid chromatic aberration, but since it is in the nature of light, it is hard to eliminate.
You get different kinds of fringes for each kind of chromatic aberration. Longitudinal aberration shows as magenta fringes around objects and is distributed uniformly throughout the image. Transverse aberration is absent at the center of the image, but grows in intensity towards the corners. Longitudinal chromatic aberration is most pronounced in wide aperture lenses. It can be reduced by using a small aperture. Transverse chromatic aberration is most pronounced in telephoto lenses. However, lenses can be designed in many ways. The so called achromatic lenses are by far the most popular with minimal chromatic aberration. More rare are the superachromatic and apochromatic lenses, that virtually eliminate chromatic aberration. Digital images tend to show more chromatic aberration than film for some reason. This may be because the sensors are more sensitive to ultraviolet and infrared light, which are at the outer edge of the spectrum where aberration is most pronounced.
Chromatic aberration can be fixed with software. By sharpening the red and blue channels, one can somewhat correct longitudinal chromatic aberration; the green channel is used to focus the image and is sharp. Transverse chromatic aberration is satisfactorily corrected by radially enlarging the blue channel image and radially reducing the red channel image.
Purple finging is a different kind of chromatic error. It appears along hard contrast edges when photographing something against a hard back light, or when photographing a light source against a dark background.The purple fringe invades the dark area. Purple fringes are sensor errors, whilst chromatic aberrations are lens errors. Purple fringing is not a simple geometric error like transverse chromatic aberration, but is an overflow of light from the brightly illuminated sensor to its neighbors; hence it is very difficult to correct with software. Also the real color is usually lost. Software can reduce the color of the purple fringe to a grayish tone. At best the local color is not completely eradicated by the purple fringe and can be reconstructed.
The first thing to grasp is refractive index, so let us briefly explain what that is. When light passes through a medium, for example the glass of the lenses, the angle of the light changes. Light hits the lens at 90 degrees, but leaves the lens at 80 degrees (just an example). Unfortunately different wavelengths of light have different refractive indexes. For example blue could leave the lens at 79 degrees while red might leave at 81 degrees. This difference will create thin magenta fringes known as longitudinal chromatic aberration. The sensor focuses on the green channel and chromatic aberration causes the blue and red to be slightly out of focus, which creates the combined magenta fringes.
When light does not hit the lens at 90 degrees, but from an oblique angle, you begin to get transverse chromatic aberration.. In this case the different colors focus evenly, but not at the same point. This causes the red image to be larger than the green and blue, and the blue the smallest of them all.This also creates colored fringes, but now both a magenta and a blue-green one. It is in the interest of lens manufacturers to avoid chromatic aberration, but since it is in the nature of light, it is hard to eliminate.
You get different kinds of fringes for each kind of chromatic aberration. Longitudinal aberration shows as magenta fringes around objects and is distributed uniformly throughout the image. Transverse aberration is absent at the center of the image, but grows in intensity towards the corners. Longitudinal chromatic aberration is most pronounced in wide aperture lenses. It can be reduced by using a small aperture. Transverse chromatic aberration is most pronounced in telephoto lenses. However, lenses can be designed in many ways. The so called achromatic lenses are by far the most popular with minimal chromatic aberration. More rare are the superachromatic and apochromatic lenses, that virtually eliminate chromatic aberration. Digital images tend to show more chromatic aberration than film for some reason. This may be because the sensors are more sensitive to ultraviolet and infrared light, which are at the outer edge of the spectrum where aberration is most pronounced.
Chromatic aberration can be fixed with software. By sharpening the red and blue channels, one can somewhat correct longitudinal chromatic aberration; the green channel is used to focus the image and is sharp. Transverse chromatic aberration is satisfactorily corrected by radially enlarging the blue channel image and radially reducing the red channel image.
Purple finging is a different kind of chromatic error. It appears along hard contrast edges when photographing something against a hard back light, or when photographing a light source against a dark background.The purple fringe invades the dark area. Purple fringes are sensor errors, whilst chromatic aberrations are lens errors. Purple fringing is not a simple geometric error like transverse chromatic aberration, but is an overflow of light from the brightly illuminated sensor to its neighbors; hence it is very difficult to correct with software. Also the real color is usually lost. Software can reduce the color of the purple fringe to a grayish tone. At best the local color is not completely eradicated by the purple fringe and can be reconstructed.
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Sources for the article are this: chromatic aberration I and this: chromatic aberration II